15.05.2022
The Silent Reading Salon
Villa Renata, Basel
The Silent Reading Salon: On the Road
14.09.2024 -Ital Reding-Haus, Schwyz
31.08.2024 - Nidwaldner Museum, Stans
15.08.2024 - Klausenpass, Uri
03.08.2024 - Kloster Engelberg, Obwalden
08.-09.2024
29.06.2021
05.10.2019
The Silent Reading Salon
Bruderholz, Reinach
A performative and silent reading event in which guests are invited into a living room curated in a unique outdoor location. The audience becomes part of the sensory landscape described in the texts.
Klischeeschwarzmarkt
Group exhibition in collaboration with Creative Alps Academy
Kunstakademie Bad Reichenhall, Germany
What is the role of innovation in the Alps? What lies behind the clichés we have come to associate with the region? After an intensive week of input and discussion, a team of transdisciplinary artists create an exhibition which explores new narratives in an effort to rethink the future of the Alps.
"How far away am I from you?"
11.09.2015
Performance in collaboration with dancer Evan Foster
Held at BlackoutBasel Festival, Basel, Switzerland
www.sheikspear.wixsite.com/theblackoutfestival
The definition of distance is examined in the growing gap between two bodies held together by a string. Following the full length of a ball of thread, distance develops and evolves, shifting with the landscapes of the in-between. At what point is one near or far, and where does the space of separation begin? These are the questions which guide an interactive outdoor performance which was part of a city-wide project to dissolve the lines between artist and audience, as well as gallery and public space.
03.07.2015
"To a willing person, injury is not done"
Text in collaboration with Sylvain Baumann and Douglas Stichbury. UV print on brushed stainless steel. Produced by Sylvain Baumann for the exhibition Terms and Conditions, L’espace d’Art Contemporain (les halles),
Porrentruy, Switzerland
www.eac-leshalles.ch/expositions/sylvain-baumann
Positioned on the front wall of the exhibition space, this text serves as a contractual object between proprietor and viewing participant. I contributed to both the written and conceptual development of the piece which blurs lines between doubt and assurance and brings into question the boundaries of trust.